The young lady for the slaying of

The Last Samurai-Scene 11 – 17 The scene started off with a man by the name of Capt. Nathan Algren (Tom Cruise) laying on a floor wearing dirty garments and yelling out the name of a man that he had just killed before his capture. The Captain was captured during a fight between the Americans and the Japanese, but instead of killing the American, the Samurai leader Katsumoto (Ken Wantanobe) wanted him alive so that he could learn from his enemy’s ways. The Captain was staying in Katsumoto’s ex brother-in-law’s house with the now widowed young lady and her children. The lady was very un-accepting of the war hero at first, because he was the man who killed her husband, but as the story grew, she, along with the rest of her Buddhist tribe grew to like the American.

As the American got stronger and was given more rights by their tribe, he started to learn the art of Japanese language and symbolism. While he was learning the semantics of another culture, I noticed that he had completely forgotten his ways as an American soldier and instead, took on the way of the Samurai. As the ways of the Samurai embodied him, he grew emotionally and spiritually enough to the point of complete change of being. He was now willing to fight for the Samurais, and although they did not have all the weapons that the Americans possessed, they did have much more structure of discipline and self control. The clip ends with the American apologizing to the young lady for the slaying of her husband. She accepts, and then tells him in Japanese that they ware each doing their duty, and that it was only karma that took her husband. I would have to say that it was the semantics of this Japanese culture that he was learning that intrigued me the most about this film.

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That is why I chose to tie in the concept of semantics with this movie clip, because its definition is very culturally-bound in a way that combines the study of words and meaning.

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