The novel The Shipping News, by Annie Propel, reflects this ambivalent transformation through the reiterative of an insular society, in which individuals in the face of globalization attempt to maintain local traditions. The Visitor, a film directed by Thomas McCarthy, depicts how different circumstances arising from globalization permeates into the lives of individuals and their community. Lost in Translation, a film directed by Sophia Copula, explores the impact of a contemporary Japan, on dislocated individuals in search of their identity admit a chaotic world.
In contrast, Warns Dirge’s autobiography, Desert Flower, reveals how globalization can provide opportunities in where an individual an be empowered, enabling them to change their community. These texts provide varying perspective on how a globalizes community impacts on individuals and in turn the way in which individuals can change a society. The AP DO The Shipping News explores the impact of individual’s reaction to the challenges posed by globalization in the community of Click-CIA.
The exaggerated characterization of Term Card exemplifies an individual’s transformation due to the intense focus on the desire to cash in on economic globalization. Term Card, embraces the notion of change and investment opportunities, proclaiming that “The hope of this place is oil”, the glorification of a single global identity further exemplified through the symbolism of an oil tanker picture in his office. The collapsing fishing industry in Newfoundland is one of the possible consequences of Term Cards view of a world driven by economic paradigms.
Further, the novel depicts how the inevitable erosion of traditional barriers transforms the perspectives of individuals. Jack Bugging, while initially holding a conservatism view, favoring the traditional fishing livelihood of Newfoundland, later acknowledges the “two ways of living’. On the one hand there is “the old way… Die where you was born, fish… Make do with what you’ve got”. This is juxtaposed to the new way of living, a response to impinging societal forces in Newfoundland where “somebody tell you what to do… Eave home… Look for work. ” The old way dramatists values of individualism and subsistence living, while the new way suggests separation from family in an attempt to survive in a global economy. This presents a new change in the community where the locals warily accept the changes bought onto their society. Robin Drinkers in ‘The Impacts of Globalization on Local Communities’, states that “Community… Are no longer tied to geographical neighborhood but the Idea of community remains. This replacement of the traditional community by TA non-bounded society is embodied in Quell when he suggests a new section in the Gammy Bird written by members of the community living abroad in attempt to adapt the altering society of Newfoundland. Thereby, Propel, emphasizes on the notion that traditional boundaries of communities are continuously eroded thorough the inevitable transformation of individuals by globalization and the way they in turn can influence their communities.
Do The film The Visitor, provides a situation in where gradual erosion of cultural and social boundaries, not only changes in traditions as shown by propel, is a development that can transform an individual and their perception of their local communities. Walter Vale, a solitary middle aged man attempts to forge a new identity, amidst the cultural excess of New York through his interactions with Tare, an illegal Muslim immigrant. New York is representative Of the globalizes world, yet the surface ideal Of global migration is undermined in the film by the oppression of Tare, who is a
Muslim, in a detention centre as a result of being a suspected terrorist. This is a symbol of the rise of terrorist fundamentalism that had formed in post 9/11 America. Despite this constricting social convention of his society, Walter attempts to form a meaningful connection with Tare which in turns invigorates his emotionally-hollow life. The motif of African drums pervades the film and becomes the tool for Walter’s individual navigation of the global multicultural experiences offered by the erosion of artificial boundaries created by differences in culture.
Tare and Walter’s companionship is highlighted as they relax together in the park. The harmonious natural lighting and spacious framing of the two characters alongside African drums communicates a semblance of peace and creating a connection through the universal language of music. McCarthy utilizes the peaceful miss en scene generating a theme of positive cultural exchange to communicate that the erosion of social boundaries can be navigated through meaningful connections such as the one created by music to provide exciting changes to the lives of individuals.
As a result, the film relays that the interactions of individuals in the collapsing world can be a medium to shift individuals’ way Of thinking redefining our identities and view Of the local community. Copula sets up the film Lost in Translation in Tokyo, Japan, where, like McCarthy setting of New York, the global city provides possibilities of the local community, that allow chances for individuals to redefine themselves.. Tokyo has been transformed by globalization where there is a cultural dislocation in which Buddhist temples are juxtaposed with neon-lit Coca-Cola signs symbolism of Western influences.